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In this Issue

Table of Contents

  1. Westminster Abbey and the Academy of Ancient Music: A Library once Lost and now Partially Recovered
  2. H. Diack Johnstone
  3. pp. 329-373
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  1. Towards a Narratological Analysis of the Romantic Lied: Events, Voice, and Focalization in Nineteenth-Century German Poetry and Music
  2. Andrew H. Weaver
  3. pp. 374-403
  4. restricted access
  1. ‘Never out of Date and Never Modern’: Aesthetic Democracy, Radical Music Criticism, and ‘The Sackbut’
  2. Sarah Collins
  3. pp. 404-428
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  1. Out of the Ordinary: The Quotidian in the Music of Graeme Koehne
  2. Mark Carroll
  3. pp. 429-451
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  1. Music and Performance in the Later Middle Ages by Elizabeth Randell Upton (review)
  2. Jeremy Llewellyn
  3. pp. 452-454
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  1. Orpheus in the Marketplace: Jacopo Peri and the Economy of Late Renaissance Florence by Tim Carter and Richard A. Goldthwaite (review)
  2. Barbara Russano Hanning
  3. pp. 454-456
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  1. The Land of Opportunity: Joseph Haydn and Britain ed. by Richard Chesser and David Wyn Jones (review)
  2. W. Dean Sutcliffe
  3. pp. 456-460
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  1. Verdi in America: Oberto through Rigoletto by George W. Martin (review)
  2. Chloe Valenti
  3. pp. 460-462
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  1. Experiencing Verdi: A Listener’s Companion by Donald Sanders (review)
  2. Francesca Vella
  3. pp. 462-464
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  1. Wagner’s Parsifal by William Kinderman (review)
  2. Nicholas Baragwanath
  3. pp. 464-467
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  1. Body Knowledge: Performance, Intermediality and American Entertainment at the Turn of the Twentieth Century by Mary Simonson (review)
  2. Marian Wilson Kimber
  3. pp. 467-469
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  1. Crosscurrents: American and European Music in Interaction, 1900–2000 ed. by Felix Meyer et al. (review)
  2. Arnold Whittall
  3. pp. 469-471
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  1. Stravinsky’s Ballets by Charles M. Joseph, and: Stravinsky and the Russian Period: Sound and Legacy of a Musical Idiom by Pieter C. van den Toorn and John McGinness (review)
  2. Katerina Levidou
  3. pp. 471-476
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  1. Friedelind Wagner: Richard Wagner’s Rebellious Granddaughter by Eva Rieger (review)
  2. Mark Berry
  3. pp. 476-478
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  1. The Roberto Gerhard Companion ed. by Monty Adkins and Michael Russ (review)
  2. Sebastian Forbes
  3. pp. 479-481
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  1. Sounds of War: Music in the United States during World War II by Annegret Fauser (review)
  2. Danielle Fosler-Lussier
  3. pp. 481-484
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  1. From Boulanger to Stockhausen: Interviews and a Memoir by Bálint András Varga (review)
  2. Paul Miller
  3. pp. 484-487
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  1. Tombeau: Facsimiles of the Draft Score and the First Fair Copy of the Full Score by Pierre Boulez (review)
  2. Paul Miller
  3. pp. 487-489
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  1. Konzert-Szenen: Bewegung, Performance, Medien. Musik zwischen performativer Expansion und medialer Integration 1950–2000 by Christa Brüstle (review)
  2. David Roesner
  3. pp. 489-491
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  1. Crossing Traditions: American Popular Music in Local and Global Contexts ed. by Babacar M’Baye and Alexander Charles Oliver Hall (review)
  2. Justin Patch
  3. pp. 491-493
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  1. Kaija Saariaho: Visions, Narratives, Dialogues ed. by Tim Howell, Jon Hargreave, and Michael Rofe (review)
  2. Liam Cagney
  3. pp. 493-495
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  1. Experiencing ‘Flow’ in Jazz Performance by Elina Hytönen-Ng (review)
  2. Milton Mermikides
  3. pp. 495-497
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  1. On Repeat: How Music Plays the Mind by Elizabeth Hellmuth Margulis (review)
  2. Jonathan Dunsby
  3. pp. 497-499
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  1. Songs in their Heads: Music and its Meaning in Children’s Lives by Patricia Shehan Campbell (review)
  2. Roe-Min Kok
  3. pp. 499-502
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  1. The Westrup Prize
  3. p. 503
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  1. Recipients of ‘Music & Letters’ Awards
  3. p. 503
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  1. ‘Music & Letters’ Awards
  3. p. 505
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  1. Authors of Articles in this Issue
  3. p. 505
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  1. Books Received
  3. pp. 506-509
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