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In this Issue

Table of Contents

  1. It May be Useful to Assume the Policeman’s Perspective Now and Then
  2. Kodwo Eshun, Anjali Sagar
  3. pp. 8-13
  4. restricted access
  1. The Otolith Group in Conversation with Naomi Beckwith
  2. Kodwo Eshun, Anjali Sagar, Naomi Beckwith
  3. pp. 14-21
  4. restricted access
  1. Question & Answer 1
  2. Naomi Beckwith, Kodwo Eshun, Chester Hanks, Aisha Motlani, Anjali Sagar
  3. pp. 22-23
  4. restricted access
  1. Enthusiasm: Collectiveness, Politics, and Aesthetics
  2. Elvira Dyangani Ose
  3. pp. 24-33
  4. restricted access
  1. The Form of the Informal
  2. Blake Stimson
  3. pp. 34-39
  4. restricted access
  1. Collaborative Improvisation as Critical Pedagogy
  2. George E. Lewis
  3. pp. 40-47
  4. restricted access
  1. Notes on Creative Music and Collective Action
  2. John Corbett
  3. pp. 48-51
  4. restricted access
  1. George E. Lewis in Conversation with John Corbett
  2. George E. Lewis, John Corbett
  3. pp. 52-54
  4. restricted access
  1. Question & Answer 2
  2. Khari B., Naomi Beckwith, John Corbett, Theaster Gates, Miklos Gosztonyi, George E. Lewis, Elvira Dyangani Ose, Blake Stimson
  3. pp. 56-58
  4. restricted access
  1. Taking it to the Streets: African Diasporic Public Ceremonial Culture Then and Now
  2. Claire Tancons
  3. pp. 60-65
  4. restricted access
  1. How Far Can We Go if We Keep Marching?
  2. Cauleen Smith
  3. pp. 66-73
  4. restricted access
  1. The Artist Corporation and the Collective
  2. Theaster Gates
  3. pp. 74-79
  4. restricted access
  1. Yours in Blackness: Blocks, Corners, and Other Desire Settings
  2. Romi Crawford
  3. pp. 80-89
  4. restricted access
  1. Theaster Gates in Conversation with Romi Crawford
  2. Theaster Gates, Romi Crawford
  3. pp. 90-92
  4. restricted access
  1. Question & Answer 3
  2. Rashayla Marie Brown, Huey Copeland, Romi Crawford, Theaster Gates, Thomas Lax, Rick Lowe, Claire Tancons
  3. pp. 94-96
  4. restricted access
  1. “Being in Now”: Ibrahim El-Salahi at the Tate Modern
  2. NJ Hynes
  3. pp. 98-108
  4. restricted access
  1. EL Anatsui: Art and Life
  2. Sunanda K. Sanyal
  3. pp. 110-115
  4. restricted access
  1. Bound to Appear Art, Slavery, and the Site of Blackness in Multicultural America by Huey Copeland (review)
  2. Kim Bobier
  3. pp. 116-118
  4. restricted access
  1. In the Tower by Kerry James Marshall (review)
  2. Peter Erickson
  3. pp. 119-123
  4. restricted access
  1. Museum of Contemporary African Art 1997–2002 by Meschac Gaba (review)
  2. Steve Pantazis
  3. pp. 124-127
  4. restricted access
  1. Black Collectivities: An Introduction
  2. Huey Copeland, Naomi Beckwith
  3. pp. 4-7
  4. restricted access

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Number 33, Fall 2013

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Number 35, Fall 2014