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In this Issue

Table of Contents

  1. Animation and Alienation: Bergson’s Critique of the Cinématographe and the Paradox of Mechanical Motion
  2. Tom Gunning
  3. pp. 1-9
  4. DOI: https://doi.org/10.5749/movingimage.14.1.0001
  5. free access
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  1. The Archival Situation of Georgian Cinema
  2. Jerry White
  3. pp. 10-29
  4. restricted access
  1. That’s Not All, Folks! Excavating the Warner Bros. Archives
  2. Emily Carman
  3. pp. 30-48
  4. DOI: https://doi.org/10.5749/movingimage.14.1.0030
  5. restricted access
  1. No Birds, No Bees, No Moralizing: Lester F. Beck, Progressive Educational Filmmaker
  2. Elizabeth Peterson, Michael Aronson
  3. pp. 49-70
  4. DOI: https://doi.org/10.5749/movingimage.14.1.0049
  5. restricted access
  1. Spectacular Evangelist: Aimee Semple McPherson in the Fox Newsreel
  2. Nathan Saunders
  3. pp. 71-90
  4. restricted access
  1. Amateur Film: Meaning and Practice, 1927–77 by Heather Norris Nicholson (review)
  2. Ryan Shand
  3. pp. 91-93
  4. restricted access
  1. Three Outlaw Samurai (1964) (review)
  2. Michael Baskett
  3. pp. 94-96
  4. restricted access
  1. Yasujiro Ozu: The Student Comedies, and: Yasujiro Ozu: The Gangster Films (review)
  2. Robert Byrne
  3. pp. 96-100
  4. restricted access
  1. Word Is Out: Stories of Some of Our Lives (1977) (review)
  2. Sho Ogawa
  3. pp. 100-103
  4. restricted access
  1. American Treasures from the New Zealand Film Archives (review)
  2. Kirsten Moana Thompson
  3. pp. 103-108
  4. restricted access
  1. Emile de Antonio Collection Accessible after Yearlong Project
  3. pp. 109-110
  4. restricted access
  1. Editors’ Foreword
  2. Susan Ohmer, Donald Crafton
  3. pp. vii-x
  4. DOI: https://doi.org/10.5749/movingimage.14.1.0vii
  5. restricted access